Posts Tagged ‘upcycling’

Eyecatching upcycled art for your garden

Tuesday, August 29th, 2017

Stunning rustic horseshoe garden sculptures from MaddisonsNZ, now available on Felt.

maddisonart blog


Purchase from MaddisonsNZ here »


A good turn: bringing out the beauty in recycled native timbers

Monday, August 14th, 2017

David Gillard of WoodgrainNZ is passionate about the manipulation of timber, creating interesting designs and revealing the natural beauty of New Zealand native and exotic timbers. In his Auckland workshop David handcrafts unique artistic and functional pieces that are predominantly created from recycled timbers sourced in New Zealand.

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woodgrainnz vase blog


What do you make?
Wood art, hollow forms, wall art and kitchenware.

How did you get into your craft?
I did a building course in 2011 and loved the finishing process and fine detail work with timber. And decided that building wasn’t really me, in that it wasn’t detailed enough. I started out making furniture and then moved onto kitchenware and I’m currently working on pushing the boundaries of wood and art.

I enjoy… taking a raw piece of wood, figuring out the best way to show it off and then seeing it all come together.

Do you have formal training or qualifications in your craft?
No. I am self taught with regard to wood turning and have gained knowledge and skill through planning, research, and of course trial and error.

Your favourite, tools and processes?
My favourite timber is Black Maire. I enjoy the process of planning what type of piece I am making and then taking a raw piece of wood, figuring out the best way to show it off and then seeing it all come together.

Tell us about some of the techniques involved in producing one of your pieces.
Milling timber is the biggest part of my work. A tree is cut down and then the centre pith of the tree is removed and cut into slabs. I then cut to rough blank, then the timber is sealed at the ends with wax so that the timber can be stored for 6-12 months. This prevents the wood from drying out and cracking.

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Then I cut it down on a bandsaw and roughly wood turn it down to its rough size and store it again for 6-12 months so that the wood can dry out to about 6% moisture content. This process reduces the piece moving and warping once made.

When I am ready to use the wood I turn it on the lathe to its finished size and apply finishing textures and colours. Finishings include a lot of sanding, gold leaf, colour dying, woodburning and applying a finishing coat of wax, stain or polyurethane. If I am creating a laminated piece, this will involve gluing and clamping different timbers together first before turning.

What inspires you?
Learning and finding new ways to do things that push me to make things that have wow factor.

Is there a philosophy behind your work?
Big time. Showing off our native giants that have been around for hundreds to thousands of years. They are a big part of New Zealand’s history and they shaped New Zealand’s landscape.


A little bit about my Remembrance Skull…
This skull represents our New Zealand native trees over hundreds of years being chopped down and made into things. A lot like the Mexican celebration that remembers the dead. This is my way of showing my appreciation of these old giants. I’m so lucky to be able to work and show these timbers off through my works and make them be appreciated again for many years to come.

As I mostly deal with recycled or rescued timber it’s nice to be able to take something that was or intended for floorboards for houses or, even worse, firewood and design it into a piece of wood art.

The skull has Pohutakawa and Kowhai flowers, a couple of types of our native ferns, our almighty Kauri tree leaves, and the four stars from the Southern Cross.

Lastly I’d like to say I do understand there will be people that will think the skull is a dark or negative symbol, but this was not designed as that but more of a positive symbol for remembering some of these ancient giants that were covering New Zealand and are now getting harder to find.

Special thanks to Geoffrey Kerr for taking my rough idea in my head and putting it to pen to paper – looks so awesome and I’m so proud of it. Again thanks mate.

woodgrainnz koru sphere blog

woodgrainnz candle holder blog

Describe your creative process?
Jump in with two hands and don’t be scared to make some firewood along the way.

Describe your workspace
Some people say that it’s like a hobbit workshop. Lots of little spaces and wood and sawdust everywhere which is how a wood working shop should be! LOL.

Five words that describe your mind
Determined, focused, striving, inventive, experimenting.

…it’s nice to be able to take something that was… floorboards… or, even worse, firewood and design it into a piece of wood art.

Your favourite feedback from a customer
“To David/Woodgrain NZ… Please don’t ever stop making these wonderful works of art. Everyone here in Haldensleben Germany who has seen them loved the design and colours. Cheers Steffen.”

What are you currently listening to?
Anything NZ, 1814, Fat Freddy’s Drop, Katchafire, The Black Seeds, Herbs, Electron etc.

What was your favourite childhood book and why?
Badjelly the Witch. It just always cracked me up all the funny characters. We had a book and the vinyl record.

What are you reading now?
Ellsworth on Woodturning: How a Master Creates Bowls, Pots, and Vessels by David Ellsworth and Newspaper Blackout by Austin Kleon.

A favourite quote
“You learn something everyday if you pay attention.”
“Don’t sweat the small stuff.”

woodgrainnz rimu spoons blog

woodgrainnz honey sticks blog

Tell us about your pets?
We have suburban chickens, brown shavers. These girls help me get rid of all the wood shavings I create in the workshop and they are pretty good at supplying us with eggs.

If you were a craft superhero, what would your name and superpower be?
What do you mean if I were a superhero! I am a superhero and my super powers are highly classified. (Of course. Sorry to put you on the spot there. -Ed.)

What would your advice be for those starting out in a crafty business?
Do you research into the market. Learn all you can about what it is you are wanting to do. Find people that you can bounce ideas off and test the market. Never forget the reason why you started and never stop telling your story.

What was the last handmade item you bought and what attracted you to it?
A beany hat from the local market. Had it custom made by two lovely older ladies. I wear it all the time when I can find it.

What’s in store for the rest of 2017?
Taking all the ideas and techniques that I have been working on and putting them all together and getting lost in my work. Keywords: 2017, onwards, new, big, amazing, out there.

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Prize draw!
David has generously offered an awesome prize for one lucky Felt reader of a stylish Kauri pepper mill, valued at $165.00 (see above). This gorgeous blue-green dyed, hand turned mill stands a smidge over 30cm high, making it a superb dining table statement piece.

To be in to win this great prize, simply leave a comment telling us what you loved about David’s story and his creations. The draw will be made on Friday 25 August and is open to New Zealand residents only.


Purchase from WoodgrainNZ’s Felt range here »


woodgrainnz pohutukawa bowl blog

A person’s a person, no matter how small!

Thursday, August 3rd, 2017

bradbury blog

Awesome children’s height chart carved in whitewashed recycled rimu, now available from BradburyNZ here on Felt.


Purchase one for your growing person »


Infinite warmth and style

Tuesday, July 25th, 2017

Just the thing for chilly mornings – a gorgeous infinity scarf from Marian Smale in upcycled, unused fabric remnants. Soft, cosy and so very chic.

mariansmale blog


Purchase from Marian Smale here »


Inspired by nature, crafted with skill: turning for spinners from Whimsy Wood and Wool

Monday, July 17th, 2017

Tedge of Whimsy Wood & Wool has a passion for creating with natural materials. When she’s not working with pieces of wood, wielding a paintbrush or spinning up glorious fibres, you’ll find her in the garden where she and her husband, Arnold, enjoy growing fruit, vegetables and herbs for their kitchen (and their friends).

whimsywood blog

What do you make?
I design and turn wooden shawl pins, spindles, nostepinnes, tapestry bobbins, threading hooks and other tools for spinners and fibre crafters. I also dye silk fibre for spinners and felters, blend fibres into spin-able rolags, and sew knitting project bags. In my spare time, I spin yarn, knit shawls, felt bags, sew clothes, embroider pictures, paint and draw, amongst other things.

How did you get into your craft?
I have enjoyed art and crafts since I was a child, studied art at high school and took up spinning in my late teens. I first started woodturning as part of my Visual Art and Design Diploma at EIT Hawkes Bay, back in 2001. My major was in 3D, particularly working with wood and metal, and making quirky furniture. I got involved in the local woodturners club and for two years I learned to turn bowls, boxes and rolling pins. My main aim was to turn items I could decorate. I hit pause on the woodturning for a few years while in France, and concentrated on sewing, painting and embroidery. It was after our return to New Zealand, that we both immersed ourselves in a woodturning club, in Christchurch this time.


Do you have formal training or qualifications in your craft?
Yes, I completed the three year Certificate of Woodturning in 2014 with the Christchurch Woodturners Association. Our amazing teachers Noel, Rex and Bruce taught us a wide range of skills, techniques, and decorative effects. They encouraged us to think creatively, work safely and pay attention to detail and finish.

My graduation piece was a set of spindles with a carved and decorated stand. My aim being to include as many learned techniques as I could: spindle and face-plate work, resin, coloured wax finishes, Dremel carving, pyrography, painting and more.

As well as a diploma in art, I have a BSc in Zoology, which has helped me in the way I look at the natural world and how it works, from the humungous to the microscopic, inspiring me in my creative processes.

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Your favourite materials, tools and processes?
My favourite turning tool is my small skew chisel, and for carving and detailing I love my Dremel Micro rotary. I prefer making smaller items, though it is still very satisfying to turn a large bowl.

I enjoy the turning itself, as well as the decorative effects such as pyrography and colouring. I can lose myself for hours in these processes. My favourite timbers are Kauri, Ash, Oak and sometimes Rimu.

Tell us about the techniques involved in producing a turned wood piece.
Firstly I plan out the item and draw it to scale. I think about the purpose of the item, and the aesthetics. If it is a functional item, for example a spindle for spinning yarn, it must be balanced in order to work well.

With an entirely new product, I will make some prototypes, experimenting with shapes and measurements, making more drawings as needed. I consider which timbers are best to use for grain pattern, strength, aesthetics, and suitability for decorating. As most of the wood I use is either recycled from buildings or old weaving frames, or wood from tree pruning, my decisions are often dictated in part by the size of the timber available. It is not my aim to produce “factory” products, but to maintain a handcrafted flavour.

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work in progress blog

What inspires you?
Lots of things inspire me, from architectural shapes to textures and details in clothing and textiles, but especially patterns and colours in nature.

I am also inspired by the materials I work with, whether it is the feel of wood and the grain pattern, the warmth of wool, the smoothness and sheen of silk fibre. Sometimes it is not a visual stimulus, but a smell, a sound, a texture or a conversation that takes my thoughts off towards something more tangible. I am often inspired and driven too by the need for a new product, a new tool, a new way of making or doing something.

Is there a philosophy behind your work?
Yes, I like to work with natural materials as much as possible, whether it is wood, wool, silk, cotton, linen, hemp. I use polishes, dyes, and paints which may not be natural, but I steer clear of anything toxic which may be dangerous in its application or in the end use.

I aim to create pieces which reflect my passion for nature, and hopefully pass that on to the user of the product. I love that people who spin with my spindles, wear my shawl pins or keep things in my bowls tell me how much they appreciate the character of the timber from which they are created.

Describe your creative process:
Inspiration and ideas tend to come in a flood when I am in a creative frame of mind. New thoughts for shapes, decoration, or a new development, a new method of making something, a whole new “invention”. I scribble down sketches and annotations so I don’t forget and can develop the ideas later.

Describe your workspace:
I have several workspaces. The woodturning workshop is by necessity shared with Arnold, and contains a workbench, lathe, and various tools. My sewing nook is at the front of the bedroom; my art desk, storage and bookshelves in the spare room; and spinning, weaving and felting area at the front of the lounge! A bigger house would be useful…

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hooks work bench blog

Five words that describe your mind:
Creative, determined, focussed, humorous, multi-tasking.

Your favourite feedback from a customer:
“I love, love, love spinning with my beautiful new spindle!”

What’s your favourite childhood book and why?
I don’t recall having a favourite. I do remember at eight years old walking to the library every day to get out the maximum three books, reading them and getting another three the following day. I still love to read.

What are you reading now?
Ken Follett’s World Without End. It has more action than I would usually go for, definitely more violence (I had to skip over one part) but it is an interesting and exciting book. As a bonus, the processes of weaving and dyeing the scarlet cloth are a vital part of the story, as one of the main characters, Caris, experiments with the best way to use madder to produce colour.

A favourite quote:
“Creativity takes courage.” – Henri Matisse.
We can often have creative ideas, but it can take courage to act on them without being afraid of failing, or of criticism. It also takes hard work, dedication and determination. And a lot of chocolate and the occasional cider.

Tell us about your pets:
We have five large goldfish who get grumpy if we don’t feed them, and a worm farm where all the worms are called Ethel and Fred.

What would your advice be for those starting out in a crafty business?
Do something that you have a passion for. Start small, grow steadily, don’t be shy, just get yourself out there. Create good products from good materials, and sell them for a price which reflects that. Believe in yourself, and don’t undervalue your talents or your products.


What was the last handmade item you bought and what attracted you to it?
On holiday in Vietnam last month, we were in the mountain region of Sapa. I bought a length of handwoven hemp fabric from one local H’mong weaver, and a length of handwoven hemp with indigo dyed batik from another. I wanted to buy from the craftspeople themselves, so they get the whole amount of money, and so I have that direct connection with the maker, the region and the country when I use the cloth.

What’s in store for the rest of 2017?
I am working to replenish my stock of spindles, both suspended and support spindles, plus Kauri shawl pins and tapestry bobbins. I want to build up a stock of wooden yarn bowls, and I have a number of new products up my sleeve. Many other ideas are zooming around in my head or scribbled in my sketchbook, waiting for time to try them out.

I will be trading at the Creative Fibre Area in Homebush on November 19th, and I have applied to be at Summer Woolfeast, to be held at Halswell Centre on November 25th.

I have just become involved in Pay it Forward, a lovely art and craft co-op in Nancy Ave, Mairehau, and will soon add some turned bowls to my shawl pins there. I also have shawl pins at Wool Yarn Fibre, the Creative Fibre shop at the Tannery in Woolston, and at my brother-in-law’s gallery Alfred Memelink Artspace on the Petone Esplanade. I have plans to add other products to these places as soon as I can, and of course to have a wider range of products in my online Felt store.

whimsywood giveaway blog

Prize draw!
Tedge has very kindly offered a great prize for one lucky Felt reader of a Whimsy spindle turned from recycled Kauri, with a hand-formed brass hook (see above). The spindle weighs 22g and the whorl has a diameter of 52mm. Perfect for spinning a fairly fine yarn, this little spindle spins smooth and fast. So that you have some fibre to spin, it will be accompanied by a pack of corriedale rolags with a dash of silk and sparkle. Total value $49 includes postage within New Zealand.

To be in to win this awesome combo, simply leave a comment telling us (a) what you like about Tedge’s products and (b) what yarn crafts you enjoy, or would like to try next! The draw will be made on Friday 28 July and is open to New Zealand residents only.


Purchase from Whimsy Wood & Wool now »


Tedge Memelink blog

Simple, stylish, strong – and upcycled

Tuesday, May 23rd, 2017

Never get your earphones tangled in your bag again!

This beautiful and sleek earphone holder from Multiverse Designs is made from reclaimed kauri house beams, and hand-finished with natural hemp seed oil and beeswax to bring out the beautiful grain and ensure longevity.

multiversenz1 blog

Available in oval or oblong, it’s also customisable with your own design – talk to the good folk at Multiverse Designs to find out what’s possible!


Saisei: the beauty of vintage kimono, reborn

Monday, March 27th, 2017

Saisei means “reborn” in Japanese, and it’s a name which perfectly reflects Wellington maker Hana Yoshida’s work. Hana’s beautiful clothing and accessories were born from her grandmother’s collection of vintage kimono and they continue today with the vintage kimono and fabric she still sources from Japan. Hana says: “When I unpick kimono, I think of somebody in Japan who spent days to hand sew the kimono for her loved ones. I think of someone who wore it with much care and love.”

saisei hana


saisei rings

What do you make?
I upcycle and repurpose vintage Japanese kimono fabrics into modern and stylish clothing and accessories.

How did you get into your craft?
I am originally from Japan. When I went back to Japan last year, my mum mentioned loads of kimono that were left in my grandmother’s wardrobes. They had been there for decades since my grandmother passed away. As a lot of women did in the old days, she used to hand sew kimono for her whole family. She was a very good seamstress, so that often kimono retailers asked her to make kimono for their clients when they received custom made orders. She also taught students how to hand sew kimono at her home. My father still remembers her students coming to their house to learn kimono making. I was blown away by the beauty of the craftsmanship and fabric itself and decided to bring some back to New Zealand.

I have been always into making stuff myself. When I was kid, I used to knit a lot of things and I learnt basic sewing skills at my university. My earliest memory of recycling is making a bag out of my old jeans. So when I got my grandmother’s kimono, I started making some scarves and cushion covers with them. This is how it all started last year. Now I used up all of my grandmother’s silk, so I purchase fabric in Japan and get it shipped to New Zealand.

Do you have formal training or qualifications in your craft?
No, except for at my university when I learnt basic skills as part of my Education/Teaching course. I’m self taught, so learnt a lot by trial and error! I also take private lessons from professionals.

saisei pattern

saisei textiles

Your favourite materials, tools and processes?
My favourite material is pre-loved and antique kimono silk. It’s getting rarer because most modern Japanese people have stopped wearing traditional kimono except for special ceremonies or events. So traditional kimono hand-crafting is in decline and there are fewer people who can pass on the techniques of crafting and dyeing kimono to the next generation.

Aizome boro cotton is also special to me. “Boro” means patched. In the old days, when the fabric was damaged, people didn’t throw it away. They patched the damaged area and kept on using it for a long time. So the cotton has a huge amount of character and really interesting textures. Nowadays, these textiles are loved and highly regarded by many all around the world.

My favourite process is creating the right patterns. It takes a long time and uses a lot of paper and sample fabrics. I repeat amending the patterns until I make the right ones. It is a long process, but really satisfying in the end.

Tell us about the techniques involved in producing one of your pieces
I purchase vintage kimono fabric from Japan. Some are actual pre-worn kimono and some are vintage kimono silks that are in bolts and never sewn or worn before.

The sewn kimono are unpicked (this can take around four hours) before being hand washed. Then they are dried in the shade and ironed gently. This is done before making anything. To make my capes, I make outer wool fabric and linings separately. The vintage kimono silk is used exclusively to make the linings of the capes. Because of the width of the silk (usually around 36cm), I cut up the silk into 8-9 pieces and sew them together to make one lining. Then darts and a collar are made. Finally I sew the lining, the outer wool and collar together.

saisei cutting

saisei cape

saisei capes

What inspires you?
Tattoo arts, 50s-70s vintage fashion.

Is there a philosophy behind your work?
I would like more people to enjoy the beauty and craftsmanship of kimono fabric in their daily life.

Tell us about your pets:
We have a cat called Rika. We got her from the Cat’s Protection League as a kitten back in 2002, so she’s an old cat now. We have two little kids so Rika gets less attention than she used to, however when the kids are in bed she likes to sit on my lap and fall asleep.

What was the last handmade item you bought and what attracted you to it?
A flowering branch necklace on Felt from a maker in Nelson. This pendant top was about 6cm and looked just like plum flowers. I liked the oriental feel to it. I wear it on my market days.

What’s in store for the rest of 2017?
There will be more capes and reversible silk cardigans. I would like to add dresses as well, but I will see. Also men’s organic cotton T-shirts with Aizome cotton pockets.


Hana will be holding a stall at Wellington Underground Market on Saturday 1 April, from 10am to 4pm. This is one of only a handful of markets that Hana will do this year, and it’s a good opportunity to see and try on her garments. Hana will also have sample fabrics on the day, so you can choose fabrics for you own special cape or cardigan.

Hana has also very generously offered a prize for one lucky Felt reader of this lovely autumnal scarf. This vibrant silk scarf with an orange leaf pattern, measuring 17cm x 180cm, was made with 100% vintage Japanese kimono silk. The silk was hand woven and hand printed in Kyoto, Japan.


To be in to win this gorgeous handcrafted prize, simply leave a comment telling us what appeals to you about Hana’s story and her reborn creations. The draw will be made on Friday 7 April and is open to New Zealand residents only.


Explore Hana Yoshida’s beautiful work on Felt »


saisei cardigan

Beautiful fabric with a beautiful history

Saturday, October 15th, 2016

Hana Yoshida of Saisei (meaning ‘Reborn’) upcycles elegant scarves from her grandmother’s handmade kimono. These lovely vintage fabrics are prized not just for their durability but also for their imperfections.

saisei blog

This scarf is made from upcycled vintage Aizome (Japanese indigo dyed) cotton fabric. Cotton becomes durable once dyed with indigo (Ai) so, in the old days in Japan, people used these kimono as daily clothes as well as special occasion outfits. When the fabric was damaged, it wasn’t thrown away. The damaged area was patched, and remained in use for a long time. Nowadays this patched fabric is called Boro, and is loved and highly regarded.

Hana Says: “I feel privileged to give a new life to these fabrics that used to be worn and loved. When I unpick kimono, I think of somebody in Japan who spent days to hand sew the kimono for her loved ones. I think of someone who wore it with much care and love.”


See more from Saisei here »


To reach a port we must set sail: a life and craft shaped by the sea

Monday, October 10th, 2016

Karli Gould of Gould Marine spent ten years as a sail/cover maker before she and her husband sold up and went to Europe to have their ‘later in life’ adventure. They left New Zealand saying that they would be gone six weeks, six months or six years… and ended up being away for eight years exploring the Mediterranean, sailing on a classic yacht!

When they returned home they built their paradise in the Sounds with an eye to use it as a workplace – and it turned out to be a fantastic place to be inspired.

Karli at work

gouldmarine briefcase

What do you make?
What do I make? That’s a good question… what don’t I make that can be sewn!

Available from my Felt shop are items that can be posted internationally or nationally. Useful items for around the home, workshop, garden and leisure. I also make bigger custom made products for clients in my region of Nelson/Marlborough. These consist of roll up veranda awnings for preschools and homes, shade sails, gym mats, blocks and shapes. It’s always a challenge to work in the marine industry with covers for yachts and pleasure craft. I can undertake any cover replacements for spa pool covers, deck chairs and squabs. You name it and I’ll do my best to create it!

How did you get into your craft?
I have always been creative behind a sewing machine. My Mum taught me to sew from a very early age. When I was at College I won the ‘Make and Model’ contest with a woollen dress I made. When my children were young I made all their clothes and went on to do home sewing for friends and family. Once my children started school I went to work in a local sail loft. I learned to use industrial machines and worked with heavy fabrics. From there I went on to work in our own partnership business manufacturing sails and covers for the marine industry spanning 10 years.

Do you have formal training or qualifications in your craft?
I had no formal training for domestic sewing; my Mum taught me those skills. My dream was to go to design school as a high school leaver. I had training in industrial work from my business partner, a sail and canvas maker who was a recognised master of the trade, so I consider it was an apprenticeship.

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gouldmarine sail bag

the sounds

Your favourite materials, tools and processes?
My most favoured materials are the acrylic canvas used in manufacturing some of my bags and marine covers. I also like using PVC as it’s such a durable product. I love using old sails to make some of the bags. The idea of recycling these fabrics is fun, and they become character pieces with their own personality. My favourite tools are my scissors and fairing battens, which help to create the magic shapes into the difficult compound curves of many of the marine covers I make.

Tell us about some of the techniques involved in producing one of your bags:
To make one of my gear bags from recycled sail cloth, I piece together the used cuts of exotic fabrics, traditional white Dacrons and colourful exotics to make one big sheet. I use a template to create the sizes of bags and mark out where the webbing handles and reinforcing should be placed. Next I sew on the pocket if required, the zip and the ends are the last thing to be fitted. The result is a custom made gear bag with charm and character.

Describe your creative process:
I create my project in my mind first – envisage a plan (design, materials and functionality). I have a workbook in which I put my ideas, shapes, dimensions and options. This sketch is then transformed into a template or directly onto the materials chosen. Many of my covers are fitted on the job before the final stitching is completed. This ensures the perfect fit.


Wood work aprons

What inspires you?
My inspiration comes from ‘creating’, seldom are two products the same. My mind is always searching new things to make and materials to work with. I enjoy the challenge of designing and manufacturing an item that is functional and simple to use.

Is there a philosophy behind your work?
To produce an individual product that is serviceable and value for money.

Describe your workspace:
My workshop is to die for… located in the Pelorus Sounds. I have a view that looks out over Crosilles Harbour. Most people that visit my workshop say “How can you get any work done, with a view like that?” Once I am there I am very focused, my work area is the floor or the bench surrounding my machines. The workshop is insulated and double glazed with a wood burner keeping a cosy atmosphere in those stormy Sounds’ winter days. In summer the windows are all open with the fresh sea breeze wafting through. I am surrounded by pictures and post cards that remind me of our travels.

Karli floor work


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Five words that describe your mind:
Focused, imaginative, busy, inspired and grateful.

Your favourite feedback from a customer:
“After first experiencing Karli’s expertise and quality in sail covers, Dodgers and other bits and pieces to do with boats, we graduated to some of her other products. Funnily enough, away from boats, it was her firewood carrier that we found to be amazingly useful, not really realising how this simple looking piece of material could be so good until we tried it out.

The versatility and skill involved in Karli’s work is incredible – check it out!

Recently we asked Karli to do a big job on all of our upstairs rooms’ upholstery. We chose Karli because in all of our dealings with her so far it has been shown that we get totally honest and sound advice, excellent quality, honest pricing and a rock solid guarantee that if anything is wrong it will be immediately fixed. So far we haven’t had to call on that. The job looks amazing and we’re really pleased with it. Many thanks for all – you’ve got a great business, Karli and I’m sure we’ll be back for more.”

- Penny, Atawhai, Nelson.



What are you currently listening to?
I love listening to Tiny Ruins while I’m sewing.

Recommend an album:
Some Were Meant For Sea – it seems so appropriate for me.

What’s your favourite childhood book and why?
The Wind in the Willows – my next door neighbour used to read it to me and my brother. I still enjoy imagining Ratty and Moley messing around in boats.

What are you reading now?
I’ve been reading the Jack Reacher series, but I’m ready for a change.

Who is your hero/heroine? Why?
My heroine is my daughter – she skippered a yacht from Norway down to the Antarctic Peninsula and back – a two year programme. She is a super hero. She has two beautiful children and lives out of New Zealand, but faces all challenges with great courage.


A favourite quote
I like this quote from Franklin D Roosevelt: “To reach a port we must set sail – Sail, not tie at anchor – Sail, not drift.” I like to think this describes my life.

Tell us about your pets:
We have wild wekas around our house in the Sounds, we have learned to coexist with them even though they can be rather pesky pulling out seedlings as fast as we plant them!

What would your advice be for those starting out in a crafty business?
Have the courage to use your imagination… give it a go! Stay focused and hang on in there, good things always take time, so don’t lose heart. But you do have to put yourself out there and push.

What was the last handmade item you bought and what attracted you to it?
I usually don’t buy gifts; I give handmade gifts to all my friends and family.

What’s in store for 2016?
Go from strength to strength and grow.


Karli has very kindly offered a sweet prize for one lucky Felt reader of two of her cute wee ‘Ditty Bags’ (see above). These gorgeous wee bags are ideal for storing precious items, jewellery, small games or marbles. Measuring 20 x 18cm and fully lined, these ones are a special Christmas version – perfect to fill with goodies!

To be in to win this lovely prize, simply leave a comment telling us what appeals to you about Karli’s story and her products. The draw will be made on Friday 21 October and is open to New Zealand residents only.


What is the most important thing in the world? He tangata, he tangata, he tangata.

Monday, July 4th, 2016

Auckland-based social enterprise Tat Upcycle has a kaupapa of supporting its community members through proactive, holistic recovery and respect for Papatuanuku Mother Earth. Started by Hone Pene and Walter Marsters, and now joined by Dalton Neho and Joe Moana, the organisation diverts waste from landfill and offers a positive pathway for those recovering from addiction.

Tat Upcycle is 100% committed to a zero waste philosophy, environmental outcomes, and a healthy, happy community.

tat-upcycle composite blog

Hone blog

Hone Pene is a founder of Tat Upcycle and also tends to the seedlings in the organisation’s nursery, Tat Community Native Nursery.

Hone, how did you begin?

On 5 June 2013 I rang my brother seeking help for my personal problems with alcohol and drug addiction. My brother Rawiri encouraged me to participate in the twelve step recovery programme of AA and NA. Since that time my journey and my life has changed: today my life – with the support of the fellowship of recovery, and the higher power of my understanding – is committed to recovery and working with and supporting other community members in their journey from addiction.

Tat Upcycle (Recovery First) is a sustainable environmental business that has come about because of our journey of recovery. We are grateful for the support from Eco Matters Trust, Auckland City Council, Henderson Massey community board, Community Waitakere, Hoani Waititi Marae and our local Iwis, Te Kawerau A Maki and Ngati Whatua, also of course the Drug Court whose participants come here doing community hours almost every day now.

Our aim is to provide meaningful work experience with an environmental focus: recovery of the people, recovery of Papatuanuku, recovery of these thrown away items that would otherwise end up in landfill for our tamariki and mokopuna to deal with in the future.

tat-upcycle blog

Time for moe full bed blog

What inspires you?

What inspires me is seeing not just the individuals who have turned their lives around through Recovery First, but also the mums and dads and children of those individuals’ whanau oranga. (Families in recovery, cool aye?)

What’s in store for the rest of 2016?

We are excited about what may happen for the rest of 2016! Tat-Upcycle will continue to develop and promote our environmental planter boxes (all made from recycled, heat treated pallets kindly donated by Saint Gobaine). We are also in korero with Housing NZ about how we may provide our eco-planter boxes to promote growing healthy kai food for whanau and families in State Housing. We’re also working with Auckland City Council on providing up-cycled furniture (i.e. work stations, meeting and lunch room tables and chairs) built from recycled, upcycled materials that would otherwise be dumped in the landfill.

Dalton 2 blog

Dalton Neho, whose working life has included carpentry and upholstery, joined Tat Upcycle last year and has added to their offer of planter boxes with his one off furniture and art creations featured on Felt, and all made from up-cycled materials. Dalton has an eye and the skills to create beauty from, well, garbage!

Dalton, how did you get into this?

Watching my dad! He had a trucking business. In the weekends he was always making things out of found stuff, rubbish I guess, and welded together bits and pieces. He made us TV cabinets, bbq tables, he built everything for us. I watched him do that and I grew up with a natural passion for making things. Tat Upcycle began by the humble pallet. I was collecting the piled up pallets on the side of the road because my sister wanted some firewood, then Hone turned up and said he was trying to start a programme for drug court participants building planter boxes from them. So we had a chat and then we started working together. I showed them what I could do and that was the beginning.

What inspires you?

Nature, I love the way a tree grows with its curves, shapes I like shapes… Also steel, I like the strength of it and the beauty because it can be so thin but so strong.

Dalton 1 blog

serenity bench seat blog

Joe 2 blog

Joe Moana is in charge of creating Tat-Upcycle’s awesome planter boxes.

Joe, how did you get into your craft?

This is new to me! I was taught by Hone and I’m now working alongside Dalton. I’m learning from him too.

What are your favourite tools?

I like the drop saw, big drills, planer, jigsaw… all the things that make noise! I don’t like the hammer, ha ha!

Joe 1 blog

kete upcycled planter blog

kono upcycled planter blog

And last but not least there’s Walter Marsters (on the left, below), the smiling operations manager, who keeps an eye on health and safety at all times. All the products created in Tat Upcycle’s workshop have to pass his stringent quality checks. He keeps the team rolling – there are a lot of laughs in the workshop with a crew that’s happy to be there every day and excited for the future.


Purchase the wonderful work of Tat Upcycle here »


tat-upcycle group blog